Riku (
tall_dark_and) wrote2007-01-22 07:06 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
absences and distractions ; the witch's tower
Riku's been away from the tower for far too long. He can't spend every day there, as much as he would like to - there's debts that he has to pay back, and goals that he has to achieve.
The last mission, so to speak, has taken him a few weeks. It feels like much longer, with each day longer than the last. He never thought he'd get so attached to someone - at least not in a capacity other than frend. He certainly never thought someone would get this attached to him.
He's more than a little tired. He's been up for twenty-five hours or so, and he's about ready to crash.... or at least, he should be. But despite the fact DiZ had taken one look at him and promptly ordered him straight to bed, he can't seem to sleep. All he does is toss and turn. He thinks he knows the cure - if only he can manage to sneak out.
But why couldn't he sneak out, anyway? It's not as if DiZ was his father.
He casts an apprehensive glance at the door, and then raises his hand to call a darkpath. And when there's no sound of someone coming to interrupt him, he jumps up from the bed, and hops through it, before anyone can possibly try to stop him.
...too bad he didn't take the time to check himself out before hopping through, because he kind of ends up hitting the ground of Namine's tower in his bedclothes. But boxers and a tshirt was... totally suitable visiting gear.
Honestly.
The last mission, so to speak, has taken him a few weeks. It feels like much longer, with each day longer than the last. He never thought he'd get so attached to someone - at least not in a capacity other than frend. He certainly never thought someone would get this attached to him.
He's more than a little tired. He's been up for twenty-five hours or so, and he's about ready to crash.... or at least, he should be. But despite the fact DiZ had taken one look at him and promptly ordered him straight to bed, he can't seem to sleep. All he does is toss and turn. He thinks he knows the cure - if only he can manage to sneak out.
But why couldn't he sneak out, anyway? It's not as if DiZ was his father.
He casts an apprehensive glance at the door, and then raises his hand to call a darkpath. And when there's no sound of someone coming to interrupt him, he jumps up from the bed, and hops through it, before anyone can possibly try to stop him.
...too bad he didn't take the time to check himself out before hopping through, because he kind of ends up hitting the ground of Namine's tower in his bedclothes. But boxers and a tshirt was... totally suitable visiting gear.
Honestly.
no subject
She takes a step to where she left her sketchpad sitting on the table. She flips it open to one of the very first sketches she did of Riku, in the library that day. She told him that only when she finished her sketch, would she show him.
Today appears to be that day.
no subject
"When did you draw this?" he queries.
no subject
"Remember when I dropped my pencil above you? In the library a long time ago?"
no subject
He rests his chin on her shoulder, as he studies the picture.
"I wish I knew how to do this," he says, almost absently. "I've never been any good at it."
no subject
"I could teach you," she offers, "if you want."
no subject
People have tried. They've... failed. Usually by giving up with shouts of frustration.
no subject
There are a couple of pencils on the table. She goes to the table to grab one, gesturing for him to take a seat.
no subject
"So you just want me to.... draw. Something."
no subject
"Try basic shapes first," she instructs, bringing her free hand to her mouth to stifle a giggle. "Draw a circle."
no subject
Er.
no subject
"Um..."
She clears her throat to excuse the giggle. "All right...try a square instead."
no subject
It looks kinda squished. Did you want a squished square, Namine?
It's a very good squished square!
no subject
She pulls a sheet of paper towards her. "Like this." She demonstrates a rather perfect square.
Hey. She's had a lot of practice.
no subject
It kind of... doesn't work. (http://outpost.mellyn.org/milli-kh/riku/box.jpg) He's also pressing down waaay too had with the pencil.
no subject
...
Well, this certainly is a little harder than she expected. But no matter. She isn't ready to give up yet!
She nudges him in the arm. "Come on, Riku! Concentrate!"
no subject
no subject
"Try it again."
no subject
no subject
She frowns.
All right. So the basics obviously aren't working. Maybe...something more interesting?
"Try...drawing what you see. Draw what...interests you in this room; pick an object."
no subject
Heh.
no subject
...
...
...
Naminé doesn't want to give up. She really doesn't. But...well, Riku isn't exactly making it easy for her, is he? She blinks at him.
"Well..." That isn't exactly what she had in mind.
no subject
Then he turns the sketchpad towards her. (http://outpost.mellyn.org/milli-kh/riku/boring.jpg)
no subject
Well. Not exactly.
Still, it makes her laugh. She places her pencil down in front of her and turns to him.
"I guess drawing really isn't your talent, is it?" she asks with a smile. Oh, well.
no subject
Or maybe he just had too much fun giving the drawing teachers problems, that he never learned to get past the basics.
"I just wanna draw stuff. I don't want to spend all this time on 'laying foundations', or whatever it is you're supposed to do."
It was boring and really really dumb! Who cared about straight lines, anyway? Was there some sort of cop that went around, arresting those with the slightly crooked lines?
no subject
She picks up her pencil again, and draws a simple box. Then she begins to elaborate on it, giving it dimensions, then adding things to it until slowly the square begins to take another form all together.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)